MAD MAX: BEYOND THUNDERDOME (George Miller, George Ogilvie)

I thought it was going to be the best in the series. I was wrong. 

MAD MAX: BEYOND THUNDERDOME starts off as okay, then ventures into bizarre, until it proves to be totally irritating, all thanks to the Lost Boys redux and the Savannah character and all those attempts at trying to be an authentic futuristic period film. 

The THUNDERDOME scene was gripping, though. 



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